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Available tunings

EQU - Standard tuning temperament suitable for regular or alternate tuning, 100 cent intervals - no Sweetening.

GTR - Designed for use with guitars tuned to standard EADGBE. The strings are adjusted to allow for deflection by varying amounts according to the gauge of the string in each case. This improves and helps counter the often problematic “unwound 3rd string” problem on short scale electric guitars such as Les Pauls and the three saddle compromise on Telecasters.
ACU - Designed for use with acoustic guitars tuned to standard EADGBE. The strings are adjusted to allow for deflection by varying amounts according to the gauge of the string in each case. The guitar is sweetened in the same way as if tuned by the ear of an experienced musician such as James Taylor who uses these settings.
dAd - Peterson Sweetened tuning for acoustic guitar in modal DADGAD tuning with optimized fifths.
12S - Peterson Sweetened tuning for 12 string guitars with regard to the string courses.
BRT - Peterson Sweetened tuning for baritone guitars.
7ST - Peterson Sweetened tuning for seven string guitars.
bAS - The BAS Sweetener is designed for use with basses tuned to standard EADG. The strings are adjusted to take into account ensemble playing which includes a stretch tuned piano.
BSn - Displays string numbers instead of note names for 4 and 5 & 6 string bass guitars ( 543210 instead of BEADGC ).
GTn - Displays string numbers instead of note names for 6 & 7 string guitars (7654321 instead of BEADGBE).

bFE - Tuning and intonation offsets for electric guitars equipped with the Buzz Feiten Tuning System. (Buzz Feiten Tuning System is a registered trademark of Buzz Feiten Design).
bFb - Tuning and intonation offsets for electric bass guitars equipped with the Buzz Feiten Tuning System. (Buzz Feiten Tuning System is a registered trademark of Buzz Feiten Design).
BF12 - Tuning offsets for 12 string guitars equipped with the Buzz Feiten Tuning System*. (Buzz Feiten Tuning System is a registered trademark of Buzz Feiten Design).
bFA - Tuning offsets for acoustic guitars equipped with the Buzz Feiten Tuning System*. For Buzz Feiten Acoustic intonation work, a Peterson AutoStrobe 490 is recommended. (*Buzz Feiten Tuning System is a registered trademark of Buzz Feiten Design).
BF7 - Tuning and intonation offsets for 7-String electric guitars equipped with the Buzz Feiten Tuning System. (Buzz Feiten Tuning System is a registered trademark of Buzz Feiten Design).

LA6 - A6 settings for lap steel guitar.
LC6 - C6 settings for lap steel guitar.

dbO - Compensates by making the thirds pure. This makes the sweetest sound, especially with long sustained chords where not using a Sweetener can grate on the ears due to an Equally Tempered third.
bJO - Counters the typical sharp B string which is encountered when tuning a 5-string banjo without compensation with an ordinary tuner. The B is sweetened in the same way as a banjo tuned by the ear of an experienced musician.
TBO - Compensates for string deflection taking into account the different scale length and lower pitched tuning for 4 string tenor banjo.
MAN - This sweetener was developed for the mandolin, mandola and mandocello. Using it will result in perfectly tuned and voiced unison string pairs. Detuning in instruments with multiple string courses, as opposed to single strings, is much less pleasing to even the most untrained ear because both chords and melody lines are affected. The MAN setting can be used for 8-string mandolins, including Gibson Styles A and F as well as the Weber A and F series.
dbH - Major thirds in all three tunings are lowered slightly from Equal temperament, but not entirely beatless. This Sweetener is useful in band settings where instruments with fixed intonation are present.
FDL - Perfect 5th intervals for 4 and 5 string fiddle.

UKE - The UKE Sweetener is designed for use with Concert type ukulele. UKE uses cent offsets to allow for the typical string deflection which is encountered when playing the instrument and takes scale length and intervals into account.. The tuning is sweetened in the same way as a ukulele tuned by the ear of an experienced musician.
LUT - Lute & Viols (17 tone 1/6th Comma Meantone with all enharmonic notes).

Orchestral
VLN - Open strings tuned in perfect fifth intervals. Both four (GDAE) and five string (CGDAE) violins are catered for within this one tuning preset.
VLA - Results in open strings tuned in perfect fifth intervals. Both four (CGDA) and five string (CGDAE) violas are catered for within the one tuning preset.
CLO - Results in open strings tuned in perfect fifth intervals. Both four (CGDA) and five string (CGDAE) cellos are catered for within the one tuning preset.
HRN - Brass & Woodwind, Just Intonation perfect fifth, fourth major and minor third intervals for every key.

Historic Temperaments

JMI - Just Major Intonation
JME - Just Minor Intonation
PYT - Pythagorean Temperament
4MT - Quarter Comma Meantone Temperament
6MT - One Sixth Comma Meantone Temperament
KRN - Kirnberger III Temperament
WK3 - Werckmeister III Temperament
YNG - Young Temperament
KLN - Kellner Temperament
VAL - Vallotti Temperament
RAM - Rameau Temperament

World

SIT - Sitar (pure intervals). Just Intonation in the key of C and C#, to tune in C#, use a Transpose value of +1.
OUd - Oud (pure intervals).
GHb - Traditional tempered scale for chanter and drones with an A root for Great Highland bagpipe tuning.
UIL - Pure intervals with a D root for Uilleann pipe tuning.
RAS - Optimized Peterson settings for Maqam Rast traditional Arabic temperament.
SUZ - Optimized Peterson settings for Maqam Suznak traditional Arabic temperament.
NAI - Optimized Peterson settings for Maqam Nairuz traditional Arabic temperament.
AFP - African Pentatonic tuning (GABDF)
SDO - Slendro for Indonesian Gamelan tuning in altered C#, D#, F#, A#, B
PLG - Pelog for Indonesian Gamelan tuning in altered D#, E, F#, G#, A#, B, C