Ship worldwide

Schaller Lockmeister Floyd Rose chrome tremolo R2 Nut 37mm Block 12" radius

Special features

• The string saddles are now adjusted in height to the tremolo radius – no more washers on the bottom
• String saddles milled from one piece of steel, with closed bottom (no cover plates) for optimum hold on the base plate
• Optimized tailpiece shape 
• For longer playing time without retuning

 Technical specifications

• Baseplate, saddles and locking nut from hardened steel
• Distance height adjustment screws: 74.3 mm according to international standards (sometimes only 74mm, it is identical)
• Size press-in bushing: 10 mm
• String spacing E-e: 54 mm
• Slideway intonation 8.5 mm
• Weight: 442 g with block length 37 mm
• Maximum string gauge: 0.080" / 2,03 mm
• Tremolo radius: 10", 12", 14" and 16"
• Tremolo block: with 3 fixing screws at a distance of 17 mm, material brass.
• Locking nut radius 8″, 10″, 12″, 14″ and 16″, in widths R2 (41.4 mm) und R3 (42.9 mm)

Scope of supply

• 1 x locking nut complete with 2 pairs of mounting screws
• 1 x string retainer with mounting screws 2.2 x 16 mm
• 1 x tremolo claw complete with mounting screws 4.2 x 45 mm and 3 tremolo springs
• 2 x mounting studs M7 x 0,5 with 2 threaded bushings diameter 10 mm
• 3 x allen keys (2.0/2.5/3.0 mm)
• 1 Tremoloblock according to selected length

Together with the 5 new locking nut radius, it can now be customized on different fingerboards. Whether straight or compound radius, with a total of 14 combinations, the new LockMeister system offers a wide range of possibilities. This ensures better playability and more fun while playing the guitar.  

Every single part is manufactured with the highest precision at Schaller on CNC machines, for brilliant and precise surfaces and a long service life!

About guitar neck profiles and playability

The neck profile, your own hand, and the fretboard radius determine comfort and playability. A rounder fingerboard conforms more to the natural curvature of the fingers, which is great for playing in lower registers, such as chords and barré grips. A flat radius provides a more even playing surface, ideal for bending and faster vertical playing in higher registers, which is often preferred for solos.