Lehle Parallel SW II True Bypass linemixer for parallel mono and stereo FX loops
Product Overview
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Lehle Parallel SW True Bypass line mixer
Thanks to the discrete Class A input stages with JFET technology, the Lehle Parallel SW II's inputs can handle high-impedance signals - from electric guitars, basses or acoustic instruments - as well as low-impedance signals - from keyboards, active electric guitars and basses - with a broad output range extending from 20 to 100,000 Hz.
Mono and Stereo signal routing
With the new Lehle Parallel SW II it is now possible to combine mono and stereo signals. You can easily integrate effects pedals with mono input and stereo output into the signal path of the LEHLE PARALLEL SW II without limitations.
Use Lehle Parallel SW II with studio effects without any loss of audio quality
The great dynamic range of the Lehle Parallel SW II makes it possible to blend rack-mount studio effects units with low-impedance line level into the guitar signal path, or insert effects pedals with their level-adjusted into an amp's effects loop.
To exploit the dynamics of tube amplifiers to the full, the input voltage is rectified from the power supply socket, then filtered, stabilized and transformed to 30 V.
Ultra high-end quality switching of Lehle Parallel SW II
The LEHLE-Switch works with a microcontroller and an intelligent True-Bypass-Relay-Circuit with active pop suppression circuit, thereby allowing the Lehle Parallel SW II to switch even faster than mechanical switches, noise-free and without wear.
The easy-action mushroom-shaped button characteristic of LEHLE products is mounted in the cover, so that your foot pressure is transmitted indirectly, via a spring. Thus the electronics board is not exposed to mechanical loads, making the Lehle Parallel SW II virtually indestructible and guaranteeing years of trouble-free switching.
Operating modes of Lehle Parallel SW II
The Lehle Parallel SW II has three operating modes, making the switch work as either a latching or momentary switch, allowing for short or rhythmic stutter-effects. The third mode combines a mixture of operating mode one and two: a short hit is latching, a long hit is momentary.